The Batur Mulliner project called for photoreal automotive visualization indistinguishable from a studio plate. Every surface — the flowing bodywork, the diamond-knurled controls, the sustainable natural-fibre trim — was modelled, shaded, and lit from reference to hold up at print resolution.
Lighting was built around a soft studio HDRI with tuned reflection cards to sculpt the panel highlights. Final frames were rendered in Octane and finished in Nuke for grade and grain.
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